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[fifty five] Leonard Barkan when compared the posture of Michelangelo's marginalia self-portrait on the Roman sculptures of Marsyas Sure in the Uffizi Gallery; Barkan even further connects the flayed Marsyas with Michelangelo's purported self-portrait many years afterwards the flayed pores and skin of St Bartholomew in his Very last Judgment https://albertk307aio3.blogadvize.com/profile

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